estheticals, the process through which humans make models of beauty, shapes the culture indoors which people express themselves artistically. In Immanuel Kants Critique of Judgment, Friedrich Schillers On the Aesthetic Education of Man, and Edward Tylors Primitive Culture, all three writers explore the origins of infixed aesthetic culture and its relationship to society, and, particularly, political science. Culture, and, in turn, the aesthetic process, make believes the social whole which eventually takes the form of the state. speckle these works were written, nations in Europe such as France, reacting from the Revolution, and Germany, working toward unification, struggled to identify themselves as a whole, and these historical events greatly influenced these thinkers. Although Tylors subject matter differs jolly from that of Kant and Schiller, he explores the larger realm within which the processes identified by the latter two are carried out. The writers all explore, though individually differently, the idea of subjectivity as it is related to judgments of beauty and the humankind of a culture and politics in a society. While aesthetics necessitate subjectivity and in turn create a larger societal bond in the books of both Kant and Schiller, Tylor views aesthetics as well as politics as merely parts of a larger inherent social development dependent upon objective laws.
In Kants Critique of Judgment, he argues that the aesthetic process requires the individual to be removed from politics. The judgment of beauty, the most significant component in his aesthetic process, necessitates the neutrality of the judge. One cannot judge beauty if one is influenced by politics, because a judgment of taste....is merely contemplative, i.e., it is a judgment that is indifferent to the reality of the object (Kant 51). The judge must also reflect upon and read the object of his judgments, which demands subjectivity and individual assessment. With this...
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