Music and Negative Emotion                                                                                 1 Jerrold Levinson work out the paradox of why people enjoy the negative feelings, which are generated through music. In this essay I will justify how he solved this paradox and then I will analyze his opening from a more practical point of view. The work of dodge used in the second part is Beethovens Moonlight Sonata.
I First of all, I will explain the theory that Jerrold Levinson proposed concerning negative perception in music. He begins by telling us that negative sensations, which are produced through earreach to music, are considered by most to be a pleasurable, positive, or sought after experience. In his essay he differentiates the manifestation of emotion in music from the evocation of emotion by music and sets out to explain why people bid the negative feelings that are the produced by listening to music.
Before explaining his theory, it is all-important(a) for us to know what are the fixingss of an emotion. Emotions confine a cognitive element, as well as an affective element. The affective component can be expressed through the form of a desire, belief, attitude or evaluation. Some emotions may also have in addition a behavioral and a physiologic element.
We should also be aware that the feeling component of an emotion is made of the phenomenological and the sensational aspects of the emotion.
Levinson states that full-fledged emotions...fail to be aroused by music and he considers that a music evoked emotion is a sort of mirror of a real emotion. For example, 2 he tells us that what he has called the sadness reaction is not in truth a case of full-fledged emotion. This is primarily because music does not supply an appropriate object for an emotion to be directed to; plus it...
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