Platos cave allegory is an analogy of an individuals journey from ignorance to en en crystaliseenenment, as sanitary as referring to his beliefs of the world of appearances, and the world of Reality.
The individuals ar chained in spite of appearance the cave by their legs and necks meaning they cant escape or move their heads, rendering them prisoners. The cave is dark, and there is a long, usurious upward tunnel leading outside. Their only fountain of crystallise within that cave are the flames that are above and fuck them, emitting an erratic light by which they see things. As light represents knowledge and truth, the flames represent a contrived knowledge source - what they see and know is in fact not real, solely actually something someone wants them to believe. Behind the prisoners is a low fence in that the puppeteers parade statues, figures and various other vessels shaped from stone and timberland from behind, going by on a type of track. To copy the figures, the puppeteers make noises and voices, causing echoes to go with the shadows - this links into the deception the prisoners are experiencing because they can only hear what people want them to hear.
The prisoners in the end are able to guess which figure comes next, withal Plato argues that this is not, however philosophy, but just means that the prisoners have acquired the skill to break down good at guesswork.
Plato then goes on to suggest what would befall if one of the captives were to be liberated from his chains, and attempt to stand up and leave the cave. He would be filled with pain at first from the chains, and the steep upward journey out of the cave. The light from outside would also temporarily blind and confuse him. At first, the former prisoner would want to go...
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