Compare and Contrast From the Motorway and The Pylons :: English Literature

Comp atomic number 18 and Contrast From the express mode and The PylonsThe poems From the Motorway and The Pylons both share the samesimilarities between their subject matter, themes and tone, howeverthe writes manipulation different literary techniques to convey their message.The two poems warn the reader astir(predicate) the spreading of modern urbanlife. From the Motorway states how man has made Britain uniformly dulland removed her beauty.asleep in the promise of beingnowhere anyone would same to get toThis quote shows places that have not been touched by the step-up ofthe motorways and how quaint and tranquil they are.this dwarfs our emerald country by its trekThis quote fromThe Pylons tells the reader how the pylons aretravelling across the country, not realising the damage they cause.However From the Motorway has ato a greater extent spanking tone and uses a lot ofirony to include humourBritain is restore her desertThis is ironic because Britain is actually making hersel f into adesert and destroying rather than mending. The Pylons has a moreserious toneNow over these hills they have make the coverThat trails black wirePylonsThis quote explains how the hills were peaceful until the pylons hadtaken over and that the get had been desecrated by concrete, whichwas not of the natural ground.The structure of The Pylons is of five stanzas, to each one of four lines,each stanza with a change in mood.That turned on sudden hidden villages.Now over these small hills, they have built the concreteThe last line of the first stanza is describing a peaceful village , array of the countryside and the first line of the second stanza tellsthe reader of the desecration of the pitfall, the tone allshifting. From the Motorway has a structure that is all in one meter so that it sounds like the ongoing motorwayamongrich and ragged, sprinter and staggererThis quote simulates vocation using unpronounceable alliteration.In the beginning of The Pylons, the fist stanza i s an almost visionlocation in the middle of the country, before they were destroyedThe secret of these hills was stone, and cottagesOf that stone madeThese first two lines sound biblical. The hills are as if they hadbeen in this way forever and the cottages had been made in equilibriumwith them, of the local natural stone.And crumbling roadsThat turned on sudden hidden villagesThe villages and roads had been made without ever-changing the landscape inany way the villages so in billet with nature that they were part ofthe landscape, and could suddenly appear round a recessional on a windycountry road.The beginning of From the Motorway is more upbeat.