No Magic in William Shakespeare’s Words Essay -- Biography Biographies

No Magic in Shakespeares WordsA good work of fiction is greater than the sum of words the occasion invested in it. Shakespeare is a great playwright because his plays bear the load of very much speculation and creativity from all its interpreters, not because he thought of both possible last detail and symbol and elucidated it clearly.The collaborative flexibility of a play is especially valuable to plays that predate the emphasis on originality and right of first publication that became more important to writing in the 18th century as authors like Coleridge and the other Romantics began to extol the virtues of imagination and personal creativity. In Shakespeares time, aces work was not ones own. When a work was sold to a publisher, it belonged to the publisher to be edited and altered how he chose. When writing for a theatre, like Shakespeare, the play was fair gamy for anyone in the company to edit and fix. An acting company bought the play on the nose as a publisher would. Plays were also frequently written in teams for speed, since in the late 1580s and early 1590s when Shakespeare was starting out, the edict of English drama was less than a decade old, all plays were premier plays, with new ones being introduced every fortnight. Alterations were made constantly, as overworked actors added or transposed lines from others of the twenty roles they were performing at the same time, scenes were added to allow time for dress changes, or the censors required line or plot changes. The author, or one of the authors who each had written an act or parceled out scenes from the outlines play, or perchance one of the actors or another playwright was on hand during the tale process to make emendations to the play. The second half of Sha... ...This way, Shakespeare can remain our ethnical hero, and what doesnt work need not be completely cut, scarcely is understood as the detritus of the time period in which he lived remaining in the work. Thus, it is not s o much that Shakespeare appears as a part of Elizabethan culture, but rather that Elizabethan culture appears as a part of Shakespeare(Shepherd and Womack, 92). Theatre is collaborative in the extreme, and modern attitudes just about authorship and originality cannot change that fact. Thus, it is not Shakespeare that preserves Shakespeares works as the English languages greatest works it is the people that pass off to produce his plays. No matter how the work is performed, cut, altered, updated, this is what keeps Shakespeare alive. There is no fancy in Shakespeares words that his readers did not bestow on it. We pass water or break a works greatness.